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    The main IP address: 185.42.223.130,Your server United Kingdom,London ISP:Clouvider Limited  TLD:uk CountryCode:GB

    The description :stitch print weave...

    This report updates in 25-Aug-2018

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Latitude: 51.508529663086
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ISP: Clouvider Limited

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alice fox stitch print weave search main menu skip to primary content skip to secondary content blog projects findings leaf stitching rust diaries a group gathering : shirt collar project tide marks gifts from the pavement spurn point – artist in residence fabric of the building sense of place fifteen images exhibitions statement cv contact publications workshops post navigation ← older posts cordage posted on august 11, 2018 by alice yesterday i pulled up the flax plants that i showed growing at the allotment in my last post. they will now dry and then be retted and processed. last week i finally got round to processing the small amount of flax that i had grown last year in a couple of pots at home. because they were grown in less than ideal circumstances the fibres turned out to be pretty poor quality. however, i managed to get a handful of processed fibre, which was then spun. despite this being a very small amount of fibre and a great deal of work to get it to that stage, it was a very satisfying thing to do. the right hand spool shown below is the spun fibre. the small ball and the left spool are spun from the ‘tow’, which is the rougher fibre separated out during the combing, or ‘hackling’, as part of the processing. these were added to a series of cordage samples i have made using a variety of different materials from my allotment plot. this series includes lots of different plant material (leaf, bark, stem and bast) as well as plastics, cloth and paper: things either growing on the plot or found in the sheds. these form part of my submission for the third module of my ma in creative practice. i’ve really enjoyed the process of getting to know the properties of each material that i’ve worked with. to a certain extent i’m starting from scratch with each new fibre, but there is also a cumulative effect of the experience of working the materials. i’ve also been surprised by some that i had low expectations of and which turned out to be much more pleasing to work with than i’d expected. i don’t have any plans yet for what i might do next with the different cordages, that may come later. for now, the process of working with each material and getting to know its possibilities and limitations have been very rewarding. furthermore, tied up within each bundle of ‘string’ is the experience of the place they were made: the birdsong that surrounded the making, the smell of each fibre as it passes through the fingers and the slow accumulation of local knowledge about the plot of land where they are from. posted in allotment , cordage , experimenting , flax , leaf , linen , plastic , plot 105 , process , samples flax posted on june 28, 2018 by alice things are growing a-pace at the allotment, although it has been so very dry and warm that some plants are struggling. i sowed some flax back in early may (a bit later than intended but the spring was so cold). it has been good to see it grow and now bloom with its dainty blue flowers that only last less than a day each. this is a very small patch of flax, which i know won’t result in much of a quantity of linen, once it has been retted, processed and spun. but it is an important part of my experiments in using gathered fibres for my ma project. last year i grew an even smaller amount in large pots at home. i didn’t manage to process it over the autumn, so i left it dried until we had warm conditions. it has now been retted and is drying again in the green house before i can do the breaking, skutching etc. ready to hopefully spin some thread. i have been gathering all sorts of plant fibres from my plot and using them to make cordage, including nettle fibres shown drying below. i’m really enjoying experimenting with these different materials and working at the plot when i can. you can see some of the cordage results on my instagram account here . posted in allotment , cordage , experimenting , fibre , flax , growing , growth , linen , materiality , materials , nettles , plot 105 , process , responsible sourcing , seedlings open studio posted on april 17, 2018 by alice 10 i’m really looking forward to taking part in saltaire arts trail again this year on the early may bank holiday weekend: 5-7th may. the butterfly rooms , where my studio is, will have three studios open with ‘resident artists’ and we have a pop-up cafe this year especially for the event. i will have work on show from various recent projects, but most of importantly, this is my working studio. we are venue 20 on the trail. there is always loads to see at this lovely annual event and saltaire will be buzzing with art, activities and people for the three days. if you can’t make it then you can have a virtual peek at my studio here . posted in arts trail , exhibitions , open studios , saltaire , saltaire arts trail , samples , studio | 10 replies curious objects posted on march 10, 2018 by alice 6 last week i installed north atlantic drift: curious objects . this exhibition uses a wonderful ‘cabinet of curiosities’ at the old low light down on the fish quay in north shields, tyneside. the cabinet, which was designed especially for the space, sits amongst a fascinating multi-media heritage exhibition. there are many drawers of different dimensions and scales, with plinths and boxes on top. this collection of altered found items and constructed forms are based on objects gathered from northern coastal locations of the british isles. the materials have been subjected to the forces of north atlantic drift (the northern extension of the gulf stream); they have been shifted, displaced, scoured, tangled and fractured. organic and man-made debris, floating on currents or shifted by water and tide, is intermingled, broken down and re-configured. the space is filled with my altered and constructed objects until 30th june. posted in 3-d , beach combing , beach rubbish , coast , collecting , collections , commissions , exhibitions , found objects , sculpture , sorting , three dimensional , within sight of the sea | 6 replies drawing tools posted on february 20, 2018 by alice 19 i’ve been exploring what there is on my allotment, including all the things i have inherited from the previous owner(s). as well as plants and the structure of beds that contain them (or not!), there are many other objects and materials with potential use to me. the site is a sort of palimpsest, a record of the different layers of activity and lives that have worked the plot. rusty old tools, which at first seemed pretty useless, are being put to use at times – if a hammer is a bit rusty it still works as a hammer! i’ve been drawing some of these tools and other objects using my home-made inks. these are made from previously gathered walnuts and oak galls, neither of which i am likely to find on my plot. but i have plans for making inks with things that do grow here. drawing really makes me look at the detail of these objects: the nature of the surfaces; the curve of a handle; the structures that make up the forms. it is deep looking and allows for good thinking time. posted in allotment , drawing , found objects , home made ink , ink , landscape , layered , materials , metal , plot 105 , process , rust , thinking , walnut ink | 19 replies new year posted on january 16, 2018 by alice 6 happy new year (i know i’m a bit late in getting round to saying that, but it is still just the middle of january). we’re still in the depths of winter, and although today the weather has provided a mix of cold wind, sleet, snow and generally depressing greyness i did notice yesterday that it is getting dark a little later now. i have news of new projects and new workshops. back in september i started studying for an ma in creative practice. this is a research-based course, the focus of which (for me) will be my new allotment. i have taken on this plot in order to garden but also to explore the site in creative ways. i hope to use material from my plot for a variety of different techniques, recording the s

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